Freedom Crisis: Beyond the Loop
Kim Seonyoung
(Director of OverLab., Independent Curator)
Why is it so hard for our society to escape from similarly repeating historical patterns? This exhibition started from the parallel theory of history that maintains that history repeats itself in similar ways. The repeated desire for power is still effectively operating in the present, and it is expected that the present can be examined through the past.
In the present, when time seems to fly backwards, we have explored through this exhibition the history of violence for the sake of freedom and democracy in this era.
The three incidents of April 3 in Jeju, October 19 in Yeosu–Suncheon, and May 18 in Gwangju, in which the state was the perpetrator of violence, were all too similar.
As we witnessed the violence and deaths inflicted on so many individuals, we had to question the very nature of human beings due to the cruelty and horror of the violence.
The active actions of those on the periphery, in addition to those in power, have resulted in a more brutal situation. The tragedy has repeated itself because of ideological conflicts, lust for power, acquiescence and participation beyond the banality of evil, and the loss of ethical standards of judgment.
The resistance forces, who used to be called “communist forces” or “violent subversive forces,” are now called “anti-state forces” and are still resisting. History repeats itself like this, and we are still in the darkness of the times.
We share different imaginations about the unknown victims instead of hero-centered historical narratives. Numerous victims indicate that their struggles were for survival rather than for resistance to ideology and the system.
In April and June, at the historical sites in Jeju, Yeosu, and Suncheon, we reached the same conclusion: “Those who killed and those who saved are all the same people.”
Facing the three incidents for which martial law was declared as a state of national emergency, we have tried to examine freedom in its current state of emergency in which it is regressing and also to imagine a world where democracy soars as everyday democracy.
While living in tune with the flow of the world, can it be possible for us to escape from this orbit by being aware of this with keen insight and by retaining a spirit of resistance? We need to become a glimmer of light and find creative ways to make a better world.
Through this exhibition, we hope that many people will continue to reflect on the past, constantly seeking ways to prevent the recurrence of violence and contemplating methods of minimal resistance.